I took a swing through Clinton, Iowa,
today. Here’s what I saw . . .
A
courthouse built like the county expected it to last forever. A department
store with fancy trim that deserves more than a passing glance. A mansion built
by a man who sold woodwork and figured his house ought to show people what they
could get.
There’s
a school that became apartments, a towboat that became a theater, and a stone
castle tucked into a city park. Then there are the giant wooden trolls. They’re
new around here, but they’ve already found their way into a town that’s been
making things out of wood for as long as it can remember.
Clinton’s
got more going on than you’d guess. Some of it stands right beside the street,
waiting for you to look up. Some take a turn off the main road and a little
wandering.
This
was a lumber town, and the money showed. It went into houses, stores, public
buildings, and woodwork people don’t casually tear out and replace. You can
still follow that money around town by looking at what it left behind.
But
this isn’t a collection of buildings that spent their whole lives under glass.
They’ve been worked in, added onto, patched up, and put to different uses. A
store needs customers, a school needs students, and an old building needs
somebody willing to pay for the roof.
That’s
where some of Clinton’s better stories turn up. The old Roosevelt School still
stands because someone put homes inside it. The Van Allen Building got
apartments above its storefronts, and the Curtis Mansion found a second life
with the Clinton Women’s Club.
The
showboat might have the strangest resume of the bunch. It pushed barges before
anybody put a theater inside it, traveled through West Virginia, and eventually
wound up beside the Mississippi in Clinton.
And
the castle at Eagle Point? It wasn’t built it to defend the river from an
invading army. It came out of a Depression-era work program, when putting
people to work could also mean giving a town something worth keeping.
You
see this a lot in old Iowa towns. The buildings are still there, but they’ve
got a different use now. The buildings often outlast the businesses that built
them. The old store name might still be above the door, even though the
upstairs is now somebody’s apartment.
I
enjoy looking at places like these because the history hasn’t been reduced to
one date on a plaque. It’s in the changes, too: the classroom that became a
living room, the boat that traded barge work for stage work, the old boards
that became a troll.



