He carved tombstones for a living. Nellie grew up
around that work—stone, tools, long hours—and before long she was carving too.
At seventeen, she made a limestone bust of Abraham
Lincoln. The piece was good enough to be shown at the 1893 World’s Fair in
Chicago, labeled simply as “the work of an Iowa girl.”
That got attention, but it didn’t solve the bigger
problem.
She wanted training and couldn’t afford it. So she
worked—six years as a legal secretary—saving until she could go to the Art
Institute of Chicago. When she got there, she knew exactly what she was after.
That’s where Lorado Taft comes in. Taft was one of
the leading sculptors in the country, known for large public monuments and a
classical style. He also made a point of supporting women artists. He saw
something in Nellie and pulled her into his studio circle.


