Des Moines in the mid-60s was supposed to be quiet. Flat. Corn-fed. God-fearing. That illusion died the first time a kid turned a cheap Silvertone amp all the way up in a basement and realized the walls could shake like a riot. The Midwest learned how to sweat that night. The garage bands came crawling out of rec rooms, Legion halls, gymnasiums, and half-finished basements all across Iowa like insects drawn to voltage.
The air smelled like beer, Brylcreem, overheated
transformers, and teenage panic. Nobody knew they were building a scene. Scenes
were for cities with music writers and better lies. These kids just knew the
songs had to be fast, loud, and lethal. The parents were upstairs. The cops
were somewhere else. The floor shook anyway.
Iowa didn’t have Sunset Strip clubs or Detroit
ballrooms. It had VFW halls with bad carpet. Catholic school gyms with folding
chairs. Roller rinks that smelled like rubber, popcorn, and spilled Coca-Cola.
Stages made from plywood and rusty nails. The sound systems were a crime. The
volume was the point.







