Davenport, Iowa. 1998. Back when bands still had to earn it. No algorithms. No “content.” You played until your fingers hurt and the bartender hated you and the sound guy stopped pretending he was going to help. You played until people finally went, “Alright. Fine. These maniacs are for real.”Liz Treiber sings like she already knows what you want. Behind her: Leo Kelly on lead guitar, Bob Kelly on bass, Greg Hipskind on drums.
That’s the BellySwirls. The name sounds like something you get from gas station nachos, but onstage it’s a tight machine built to wreck a room. These guys don’t float through songs—they kick the door in.
Genre? Call it blues-rock if you need a label—greasy, hooky, and mean enough to make you forget you were going to leave after one drink. Big riffs, fat groove, stomp-on-the-floor energy. Stuff that makes you spill your beer and not care.
Their songs have that “we’ve done this the hard way” feel. “Believe.” “Mary Kate.” “Nick of Time.” “Ruby.” “Wicked Waltz.” “Break Me” is exactly what it sounds like—not a poem, not a diary entry, more like somebody slamming a door and daring you to follow.



