Iowa City looks harmless. Bookstores.
Brick streets. Workshop gossip. Then John Irving shows up and says, “Sure, but
what if we make it weird?”John Irving
He comes to the Iowa Writers’ Workshop in the mid-60s, and ends up studying under Kurt Vonnegut—who’s basically a human smoke alarm with a typewriter. Funny. Furious. Allergic to fake seriousness.
Irving’s
young. Full of big-story energy. A writer who loves accidents, coincidences,
and fate like they’re all cousins at the same chaotic family reunion.
At
Iowa, he drafts Setting Free the Bears. A thesis that turns into a
full-blown novel. Europe. Wild turns. That shaggy, runaway-cart feeling that
becomes his signature. Kirkus called it “a wonderfully fresh, wildly
imaginative notion of a book,” which is reviewer-speak for this kid might
be trouble in the best way.
Then
he cranks out The Water-Method Man and drags the chaos closer
to home. Iowa City shows up. Graduate school creeps in. Relationships get
messy. The jokes get sharper. The plot keeps slipping sideways like it’s trying
to escape the room.


