Lewis Worthington Smith was an English professor at Drake University from 1906 to 1940. He believed writing mattered. Style wasn’t decoration. Ideas should stand up to pressure.
He belonged to the Poetry Society of America and the Authors’ Club of London, alongside writers who shaped modern literature. Locally, he was active in Des Moines intellectual circles like the University Club and the Prairie Club. That mix—Midwest roots with international reach—defined him. He was proof that you didn’t have to live on the coasts to think seriously about culture.
Smith
wrote eighteen books, ranging from criticism to broader reflections on language
and civilization. Ships in the Port used metaphor and
reflection to explore stillness, waiting, and transition. The Mechanism
of English Style broke writing to its moving parts, treating prose
like a machine that had to work cleanly and efficiently. The Skyline in
English Literature examined how writers used cities, horizons, and
modern landscapes to express ambition, anxiety, and change.
He
didn’t chase trends. He asked how English actually worked—and what it revealed
about the people using it.













