Patricia Barry Davenport Iowa Actress

Patricia Barry was born Patricia White on November 16, 1922, in Davenport, Iowa. She learned early that talent wasn’t enough. You had to show up ready. Those lessons followed her east to Northwestern University, where she studied drama with the seriousness of someone planning a career, not a fantasy. By the time she headed west, she wasn’t chasing fame. She was chasing work.

Hollywood in the 1940s was crowded with hopefuls and ruled by contracts. Barry signed with Warner Bros. She played intelligent women, professionals, wives, secretaries with spine. An early reviewer described her as “cool, composed, and believable in every frame,” a compliment that followed her for decades.

Her early films came one after another, never flashy, always solid. She appeared in thrillers, dramas, war pictures. In The Window, she helped anchor a tense story without pulling focus. In O.S.S., she brought calm authority to a wartime world built on suspicion. Then came The Beast from 20,000 Fathoms, a film that leaned into spectacle while Barry did what she always did—grounded the chaos. Critics noted she gave the film “a human center amid the destruction,” a reminder that even genre pictures needed actors who could sell reality.

Francis J. Herron Iowa Civil War General

General Francis J. Herron

Francis J. Herron looked like he should’ve been selling dry goods instead of commanding men into artillery fire. One soldier remembered him as “slight of build, quick in motion, with eyes that never seemed to stop measuring distance.”

He was young. Thin. Sharp-eyed. The man people underestimated fast and then regretted it later.

He wasn’t born in Iowa, but Iowa made him. By the time the war arrived, he was living in Dubuque, working as a banker. When the first guns fired in 1861, Iowa answered with farms, factories, and young men who barely knew how to hold a rifle. Herron joined the fight. A Dubuque paper said he left “without hesitation, with the confidence of one who had already chosen his duty.”

He helped raise the 1st Iowa Infantry and marched off with them like someone who’d been waiting for the war to start. At Wilson’s Creek in Missouri, his regiment was thrown straight into one of the war’s early disasters. The Union lost the field. Men scattered. Smoke swallowed the hills. A private later wrote, “The air was thick with lead and fear. The trees were cut as with knives.”

Samuel Ryan Curtis Iowa Civil War General

General Samuel Ryan Curtis

Samuel Ryan Curtis didn’t look like a war hero. He looked more like a county surveyor who wandered onto the battlefield by mistake and never quite left. Thick sideburns. Heavy jacket. A man built for long walks and paperwork, not cannon smoke and screaming horses.

But the war didn’t care what men looked like. Curtis had been a West Point engineer, a congressman from Iowa, and a man who believed in the Union the way farmers believe in fences. When the shooting started in 1861, he quit politics and picked up a sword at age fifty-six. Most men that age were done charging at anything. Curtis was just getting started.

Missouri was the problem. Torn in half. Bushwhackers in the trees. Guerrillas in the shadows. Everybody armed. Everybody angry. Confederate armies wanted it back. Union generals wanted to hold it. Civilians just wanted to survive. One Missouri paper called it “a land where every fence rail hides a rifle and every road leads to ambush.”

Curtis was sent in to clean it up.

In early 1862, the Confederates made their big gamble. General Earl Van Dorn gathered an army and marched north into Arkansas, aiming straight at Curtis. Win the fight. Take Missouri. Threaten the Mississippi. Shake the whole Western war loose. Southern papers bragged that Van Dorn intended “to march through Curtis as through dry leaves.”

Curtis saw it coming and didn’t blink. He planted his army along Little Sugar Creek near a place called Pea Ridge and waited. Ten thousand men. Cold ground. Wet boots. No retreat planned. If the Confederate army came, they would come straight into his teeth.

The Joye Sisters Betty Ballard and Bobby Jean Lewis

Betty Ballard and Bobby Jean Lewis, better known as the Joye Sisters, were a Des Moines singing duo in the 1920s and 1930s. They headed to Mexico in May 1928, but were forced to turn back after a series of unfortunate events.

While in El Paso, they saw two Negroes lynched for attacking two white girls. That “horrible sight,” said Miss Ballard, “seemed to forecast the nightmare” of events.

They were detained in Juarez, then sent home because of the Revolution. They told reporters, “The queer taste of the Mexican food and a rumor that the revolutionists were poisoning all the food made them refrain from eating anything.”

No matter, the girls didn’t intend to let a bit of bad luck discourage them. They planned to return to Mexico in a few months after things cooled down.

Killing of Des Moines Policeman Ollie Thomas

Policeman Ollie Thomas

Nobody agrees on the number, but the official count says seven. Seven shots cracked through the humid August night like the city itself had snapped.

August 21, 1925, near Fourth and Grand.

Some poor bastard heard the first few go off and thought it was just a car backfiring. Then two shots boomed louder than the rest, the kind that don’t lie about what they are. Gunfire always has a signature. Anyone who’s heard it knows when the lie ends.

Moments later, a bareheaded man came flying out of an alley and tore east down Grand Avenue like hell had suddenly remembered his address. The witness said the build looked right. The speed looked right. The panic looked right. Bootlegger energy, all of it.

By the time the echoes finished bouncing off brick and glass, Patrolman Ollie Thomas lay dead.

They found him crumpled at the bottom of a stairway landing, soaked in his own blood. Two bullets did the job. One through the abdomen. One through the head. Both traveling downward. That detail stuck with the detectives like a splinter in the brain.

Will Higgie Dances the Charleston Atop the Des Moines Register & Tribune Building

(from the Des Moines Register.
 August 26, 1925)

In August 1925, Des Moines got a rooftop performance no one forgot. Will Higgie—one of the original creators of the Charleston—strutted onto the roof of the Des Moines Register and Tribune building alongside his partner, Dorothy Ryan, and turned the city skyline into a dance floor. Below them, crowds looked up as the pair showed off the fast-kicking, rule-breaking dance that was sweeping the nation.

Later, Higgie let everyone in on a little secret. That famous “naughty wiggle” everyone loved? It wasn’t part of the original dance at all. It didn’t show up until after the Charleston was already loose in the world—proving that even America’s wildest dance craze was still evolving, one rooftop at a time.

That Charleston Band Davenport Iowa 1925

That Charleston Band were the featured entertainers at the Coliseum in Davenport on December 19, 1925.

(from The Daily Times. December 27, 1925)

Drake Bulldogs vs Iowa State Cyclones 1927

A scene showing the Drake Bulldogs and Iowa State Cyclones football game held at Drake's Stadium in 1927. Captain Bill Cook from Drake is running with the ball.

New Heating Plant at University of Iowa

(From the Des Moines Register. November 6, 1927)

The Des Moines Register published a photograph of the new heating plant under construction at the University of Iowa in Iowa City. The project was expected to be completed by the spring of 1928.

The plant was designed by Proudfoot, Rawson & Souers, with Professor B. P. Fleming serving as consulting engineer. The total projected cost was $500,000.

Charles Grilk Davenport Lawyer Iowa Attorney General

Charles Grilk (from The Daily Times. 
April 4, 1924)

When Charles Grilk ran for Congress in 1906 as a young Republican lawyer out of Davenport, the party brought in its heaviest weapon to carry him across the line: Theodore Roosevelt.

Roosevelt arrived like the weather. Loud. Electric. Unavoidable.

That morning, he took breakfast at the Davenport home of novelist Alice French—known to readers as Octave Thanet—one of the most powerful literary and political voices in the state. The table was crowded with influence. Words were chosen carefully. Futures were weighed between coffee cups.

Then, Roosevelt and Grilk went to Central Park.

Thousands packed into Central Park in Davenport. Roosevelt spoke. The crowd surged. Grilk stood beside him, absorbing the force of borrowed gravity. It was a public anointing. A signal that this young Davenport lawyer had entered the bloodstream of national power.

He lost that race, but the door never closed again.

Guy Gillette Iowa Senator

Guy Gillette (The Courier. May 29, 1924)

Guy Gillette came to Washington in 1936 while the country was still bleeding from the Depression. Iowa farms were drowning in debt. Banks were collapsing. The New Deal promised rescue. Gillette arrived as a Democrat, but he never arrived as a loyalist.

He didn’t trust party machines. He didn’t trust Wall Street. He especially didn’t trust men who spoke softly while reaching for control.

Washington wanted obedience. Gillette offered scrutiny.

He backed farm relief because Iowa was starving. He backed soil conservation because the land was breaking. He backed rural electrification because darkness still ruled whole counties. Those votes earned him enemies in corporate boardrooms and quiet allies in farm kitchens.

The real fight came during World War II.

The Senate was flooded with emergency bills. Weapons contracts. War industries. Spending without ceilings. Gillette voted for the war, but he fought the money behind it. He questioned contractors, challenged cost overruns, and warned that corporations were growing fat while soldiers bled. As he told the Senate not long after America entered the conflict, “We said that they went over there … not to prove the prowess of America … but to see to it that there never was such a war again.”

Iowa Garage Bands of the 1960s and 1970s

Des Moines in the mid-60s was supposed to be quiet. Flat. Corn-fed. God-fearing. That illusion died the first time a kid turned a cheap Silvertone amp all the way up in a basement and realized the walls could shake like a riot. The Midwest learned how to sweat that night. The garage bands came crawling out of rec rooms, Legion halls, gymnasiums, and half-finished basements all across Iowa like insects drawn to voltage.

The air smelled like beer, Brylcreem, overheated transformers, and teenage panic. Nobody knew they were building a scene. Scenes were for cities with music writers and better lies. These kids just knew the songs had to be fast, loud, and lethal. The parents were upstairs. The cops were somewhere else. The floor shook anyway.

Iowa didn’t have Sunset Strip clubs or Detroit ballrooms. It had VFW halls with bad carpet. Catholic school gyms with folding chairs. Roller rinks that smelled like rubber, popcorn, and spilled Coca-Cola. Stages made from plywood and rusty nails. The sound systems were a crime. The volume was the point.

YWCA Doll Farewell Party 1927

In January 1927, the Y.W.CA. hosted a farewell party for a group of dolls they were sending to Japan for the National Doll Festival there. The Des Moines Register explained the dolls were being sent to promote friendship with Japan.

Picture: (front row) Patricia Merrill, Naoma James, Mildred Williams, Ruth Partch, Ann Merrill, and Keith Merrill, Jr. (Standing) Bo Mahler, Babe Bartolomei, Mary Alice Mallum, Doris Stewart, Margaret Findley, Pauline Kauffman, Louis Orf, Myrtle Thompson, and Nicolina Bartholomer.

(from the Des Moines Register. January 9, 1927)

Chancy J. Stevens Montour, Iowa Mayor

In 1927, the Des Moines Register profiled Chancy J. Stevens of Montour, Iowa, believed to be the oldest mayor in America at age 94. Stevens had served as mayor for 18 years.

He came to Iowa from New York as a young man and first settled in Indiantown, two miles north of Montour. He supported prohibition, equal rights for women, and the woodshed as a corrective measure for wayward youths.

(picture from the Des Moines Register. December 25, 1927)

Salvation Army Food Distribution Des Moines 1921

The Salvation Army fed several hundred Des Moines families on Christmas Day, 1921. Brigadier William Andrews, his wife, and staff distributed dinner baskets, containing a chicken, potatoes, coffee, sugar, corn, and various fruits.

The picture shows Brigadier William Andrews and his wife, giving a dinner basket to an elderly couple.

(from The Des Moines Register. December 25, 1921)

Santa Claus Delivering Toys

This image of Santa Claus and his sleigh appeared on the front page of the Des Moines Tribune, Christmas Day, 1925. (I colored and touched up the black and white artwork)

The Doo Dads Reach Candy Land

Does anyone else see the beginnings of Dr. Seuss in this image and story?

The Doo Dads reach Candy Land

The dudes had to leave the land of the long-legged Doo Dads without finding any reason for their long legs. They scrambled back into their machine and started in the quest of new adventures.

They were chattering away and laughing merrily when they began to wrinkle up their stubby noses, and altogether they said, “What is that I smell?

(Colored image from the Des Moines Tribune. February 25, 1922)

Oscar Heline Iowa Congressman Farmers Holiday Association

Oscar Heline erupted out of the farm crisis like a man done waiting for permission. He wasn’t polite. He wasn’t polished. He was the human bill collector for every bad policy and blind bureaucrat that helped wreck the countryside. He’d watched neighbors lose everything, and he wasn’t going quietly.

In the early 1930s, Iowa farmers were getting chewed to ribbons. Prices tanked. Land vanished. Entire communities folded like cheap card tables. The entire system felt wired for failure, and the people running it acted surprised every time it blew up.

Heline didn’t bother with committees or measured tones. He helped form the Farmers Holiday Association—a movement that felt less like a meeting and more like a pressure cooker ready to pop. They blocked roads, shut down markets, and stared down sheriffs and bankers with the dead-eyed resolve that makes a man rethink his job. Critics screamed “radical.” Heline shrugged. What else do you call trying to stay alive?

Washington started hearing the noise. Soon Heline was advising the Roosevelt administration, stomping through the halls like someone sent to collect a debt. He didn’t deal in jargon. He talked about farm auctions that felt like funerals and families smothered by bank notices. He pushed for anything—price supports, production cuts, whatever—if it kept farmers from being scraped off their land like roadkill.

Alice Finn Miss Popularity Winner 1927

Alice Finn of Des Moines, Iowa, won the 1927 popularity contest hosted by the Publix Theaters. She played several parts in the theater’s shows, and appeared on stage in, “In Dutch.”

Pencil drawing of an image published in the Des Moines Register on July 8, 1928,

Boone Iowa High School Class of 1890

 

Boone High School class of 1890.

Back row: John Goeppinger, Omar Mann.
Third girl from left: Mrs. C. Canfield.
Bottom row: W. W. Goodykoonts, Mrs. H. T. Cook, Arthur Crary, and Fred Crary.

(Photo from the Des Moines Register. April 24, 1927)

Book Review: Murder & Mayhem in Scott County

You pick up Murder & Mayhem in Scott County, Iowa expecting a tidy little history lesson—maybe some musty courthouse trivia, a harmless stroll through the polite past. Instead, the thing hits you like a warm Schlitz can lobbed from a moving pickup. Scott County isn’t the wholesome Midwest postcard you were promised. It’s a long, low scream under the polite small-talk.

Grace Reed on Utica Ridge Road? That story crawls under your skin and refuses to pay rent. Margaretha Nehlsen poisoning her own kids with chocolate—chocolate, of all things—makes you want to interrogate every candy dish you’ve ever seen at a church potluck. And Harry Hamilton, the ex-cop who decided law enforcement was more exciting when you were shooting at it—he’s the kind of character you expect to find at 2 a.m. in a tavern that claims it closes at midnight.

The book doesn’t guide you so much as shove you down a gravel road at high speed, shouting facts at you through the open window. There’s a feverish energy to it, the sense that the author has been living on gas-station coffee and county-archive dust for far too long. Each chapter feels like it was pulled from a file drawer that local officials swore didn’t exist.

A Brief History of the Union Brewery in Iowa City

Workers outside a brewery in the 1860s

The Union Brewery in Iowa City felt like a place that survived on nerve alone. Built in 1856 by Simeon Hotz, a shoemaker turned brewer, it grew into a brick stronghold at Linn and Market, a place the Iowa State Register said operated with “a confidence that must be admired, considering the temperance sentiment now fashionable in the Capitol.”

The brewery didn’t just sell beer — it sold identity. Hotz and Anton Geiger were German immigrants who brought their lager brewing with them, and Iowa City drank it up like a man who’d been wandering the prairie too long.

 

By 1868 they expanded into the big building — three stories, beer cellars underneath, steam heat, the whole industrial symphony. Locals wandered in and out of the taproom, leaving footprints in the sawdust and carrying home gossip hotter than the kettles.

Mason Motor Car Company Des Moines Iowa

Mason Motor Co. ad, 1906

The first thing you need to know about the Mason Motor Car Company is that it never should have worked. Not in Des Moines, not in 1906, not in a state where most people still trusted a good horse over any contraption that hissed, rattled, and tried to kill you on a dirt road. Yet for a few bright, reckless years, two brothers with machine oil on their hands and speed on their minds tried to drag Iowa—kicking, screaming, and occasionally bleeding—into the automobile age.

Fred and August Duesenberg weren’t normal. They looked at a peaceful bicycle and thought, What if this thing went 60 miles an hour and tried to shake its rider’s fillings out? The Des Moines Daily News called them “the sort of young men who consider mechanical noise to be a form of conversation.” They were tinkerers, racers, mechanics, engineers—whatever you want to call them—but above all, they were hungry. Hungry for speed, recognition, and the clean snapping sound an engine makes when it finds its rhythm and behaves. So when Des Moines attorney Edward Mason threw some money at them and said, “Make a car,” they didn’t hesitate. They built the Mason, a small, explosive two-cylinder machine that rattled windows, terrified horses, and made its owners feel like they were cheating death—or at least borrowing trouble from it.

 

Hopkins Bros. Baseball Team Des Moines

 

Hopkins Bros. Baseball Team

Top of letter: “Smoke” Madigan, Thomas, Bowman, Parsons, Honska.
Bottom of letter: Franklin, Evans, Fahey (manager).
Left side: Crandall, Mendenhall.
Right side: Wilkinson (captain), Wasson.

(Des Moines Register. June 17, 1906.

Senator Frank Jones Villisca Axe Murder Suspect

 

Ever since the Villisca Axe Murders, there had been rumors that Frank Jones and his son Albert had skin in the game. Some residents traced it back to when Joe Moore left Jones’ implement business and opened his John Deere dealership. Supposedly, there had been hard feelings ever since.

Another story making the rounds was that Joe Moore was sleeping with Albert Jones’ wife. But that allegation held little water; rumors had linked Dona Jones to half the men in Villisca.

Like the case against Mansfield, the charges against Jones went nowhere. Investigators brought in more suspects over the years, but nothing came of it.

West Liberty Tourist Camp Murder

Harland Gabe Simons

The West Liberty tourist camp murder hit the front pages in July 1924 like a thunderclap.

Orton and Diana Ferguson had been on the road for almost a year, wandering up and down the West Coast, drifting from camp to camp, letting the dirt roads decide their path. July 12 was Diana’s thirty-fourth birthday. They were heading home to Atlanta, Michigan, tired but happy, planning to catch a concert in town and sleep under the stars afterward.

 

They pulled into the West Liberty camp just before dusk. A man stepped out of the trees and waved them down. He called himself the park ranger.

 

He told them someone had spilled crankcase oil on the grass up front. He’d show them a better spot. Something quiet. Something private.

 

He guided them deep into the grounds, well away from the other travelers. He helped them settle in, then said he had other campers to look after, and vanished between the tents.

 

His name was Harland “Gabe” Simons.

 

Later that afternoon, he reappeared, casual as a neighbor dropping by to borrow sugar. He chatted, joked, and offered to watch their tent while they went into town. He seemed kind. Polite. Harmless.

William "Blackie" Mansfield Villisca Murder Suspect

In mid-June 1916, newspaper headlines across the state screamed, “Great crime at Villisca now solved.” William Mansfield, an ex-convict and dope fiend, better known in his circle as “Insane Blackie,” was the killer.

The key to the case was the ax murders in Blue Island, Illinois, of Mansfield’s wife, infant daughter, and mother-in-law and father-in-law. Investigators also placed him in Paola, Kansas; Aurora, Illinois, and Villisca, Iowa when those gruesome murders occurred.

Detective J. N. Wilkerson of the Burns Detective Agency ferreted out the link.

Unfortunately, the case fell apart after Mrs. Elmo Thompkins, who claimed to have overheard three men plotting the Villisca murders, failed to identify Mansfield in court.

The prosecution dismissed the case against William Mansfield on July 21, 1916.