| Bobby Driscoll |
That was the point of Peter Pan, wasn’t it? The boy who never grew up. The one who could fly, laugh at danger, and still make it home for bedtime. For a while, Bobby Driscoll every bit of him, from the crooked grin to the sparkle in his eyes.
He
got his start a long way from Neverland: Cedar Rapids, Iowa, 1937. His father
sold insulation. His mother kept the house. Ordinary stuff. Then the family
moved west, chasing clean air and a little luck. A barber thought the kid had
“it” and sent him to a Hollywood agent. That’s how it worked back then. One
minute you’re getting your hair cut, the next you’re under contract at Disney
Studios.
He
was nine years old when Walt Disney signed him—the first child actor the studio
owned outright. “A fine, sincere boy,” Disney said. Bobby called Walt “Uncle
Walt.”
Then
came the hits. Song of the South. So Dear to My Heart. Treasure
Island. Critics called him “a natural.” One said he carried the film
“with warmth and genuine feeling.” By thirteen, he had a miniature Oscar, and
his face was as familiar as Mickey’s ears.
